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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Jan Weenix
Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague. |
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Jan Weenix
The Departure of the prodigal son
mk56
oil on canvas
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Jan Weenix
A Deerhound with Dead Game and Implements of the Chase
mk170
1708
Oil on canvas
173.5x157cm
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Jan Weenix
After the Hunt
1665
Oil on wood
44,7 x 34,5 cm
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Jan Weenix
A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background
1714
Oil on canvas
172 X 160 cm (67.72 X 62.99 in)
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Jan Weenix
After the Hunt
1665(1665)
Oil on wood
44,7 X 34,5 cm
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Jan Weenix
Een aap en een hond bij dood wild
Medium Oil on canvas
Dimensions 0172 ?? 160 cm
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Jan Weenix
After the Hunt
Medium Oil on wood
Dimensions 44,7 X 34,5 cm
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Jan Weenix
Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple
1694
Medium oil on canvas
cjr
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Jan Weenix
An Italian Seaport
circa 1666(1666)
Medium oil on canvas
cyf
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| Jan Weenix
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Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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